跳至主要內容

學術研究

即將消失的聲音:冷戰時期香港左派電影工作者的口述歷史

This oral history project aims to document the voices of Hong Kong leftist film workers who were active from 1949 to 1966 and to utilize their voices to reconstruct Cold War Hong Kong history. The principal investigator adopts the common usage of the term “leftist” during this era, defining leftist film workers as those who worked for the three major leftist film studios and the sole distributor of films made in the People’s Republic of China (PRC). Until the mid-1960s, leftists controlled a significant share of the Hong Kong film market, produced popular movies and exported their productions and PRC-made films to other Chinese communities


年份: 2017 - 2021

項目負責人 -

許國惠博士

文學及文化學系

丘世文及《號外》研究:香港七、八十年代的書寫語言及身分認同

本項目以「書寫語言」的視角結合丘世文和《號外》的研究,檢視這位 作家和這份刊物在七、八十年代走過的道路,深入審視香港主體性建立 的過程,了解粵語作為書面語言的發展和身份認同的密切關係,重申丘 世文和《號外》開放式的本土精神。我們也將把丘世文和《號外》置於 時代的版圖中,以見全球局勢對香港社會和文化的影響。


年份: 2017 - 2020

項目負責人 -

李婉薇博士

文學及文化學系

滿洲的國際教育:哈爾濱的波瀾學校,1890s-1940s

This project analyses the Polish community of Harbin from its beginnings in the 1890s to its end in the 1940s by focusing on institutions and practices of Polish schooling in that city.


年份: 2016 - 2018

項目負責人 -

Dr DITTRICH Klaus

文學及文化學系

The identity construction experiences of novice English language teachers in Hong Kong

This project will investigate the experiences of eight English language teachers in Hong Kong during their initial years of full-time teaching.


年份: 2016 - 2018

項目負責人 -

Dr TRENT John Gilbert

英語教育學系

研究員: PI

金額: HKD221,472

譯者的專業地位:東亞地區譯者及翻譯委托人之觀點

The objective of this research project is to empirically investigate how non-literary translation practitioners and translation clients perceive translator professionalism, which is understood as not only involving knowledge and expertise but also the virtues of trustworthiness and altruism.


年份: 2016 - 2018

項目負責人 -

廖鳳明博士

語言學及現代語言系

研究員: PI

“真實的痕跡:後殖民及離散文學中攝影缺席的在場”

文學和攝影經常被認為是姊妹藝術,它們的混合性可見於攝影 (Photography) 的詞源,即「以光書寫」。儘管不少學者已研究過兩者在製作方面的共通之處,可是針對文學作品中以攝影作比喻或象徵的研究卻仍見貧乏。 本研究正是旨在離開一般只集中在文字和影像之關係的學研方向,並將焦點轉移至影像在文學作品中以口述或敘述的存在形式和作用。部份學者曾提出影像有其文本性:它們能被閱讀和闡釋(Mitchell 1995, Petit 2006),但仍未有研究分析過文本中被敘述的影像


年份: 2015 - 2017

項目負責人 -

Dr BANERJEE Bidisha

文學及文化學系

陳寅恪的文學觀念與實際批評研究

本計劃試圖從現代中國文學研究史的角度入手,全面整理陳寅恪有關文學的論述,闡明他的文學觀念,並且深入辨析他的研究方法與前人的異同。


年份: 2015 - 2017

項目負責人 -

李貴生博士

文學及文化學系

日常生活的現代性:一九七零年代香港新詩

The object of this project is the poetic treatments of everyday modernity in 1970s Hong Kong, but not restricted to the four basic necessities "yishizhuxing" (衣食住行).


年份: 2015 - 2017

項目負責人 -

余君偉教授

文學及文化學系

香港南亞裔學童的敘事能力發展

This proposed study will examine the development of Cantonese narrative in ethnic minority children of Hong Kong with special focus on three sub-groups, namely, Indian, Pakistani, and Nepalese, who are commonly called South Asians.


年份: 2015 - 2017

項目負責人 -

張顯達教授

語言學及現代語言系

研究員: PI

梁秉鈞的文學創作與香港現代主義

This project will use the main corpus of Leung’s works as examples to demonstrate how he brings these apparently disparate but actually connected topics under the umbrella of Hong Kong modernism and helps to enrich the meaning of the literary movement.


年份: 2014 - 2017

項目負責人 -

區仲桃博士

文學及文化學系

史實與想像之間:《穆天子傳》與中國早期小說的興起

關於中國小說的起源,過去多以魏、晉為伊始,至唐代發展成熟。近年來出土文獻研究提供了戰國、秦漢時期,早期小說的材料。但是有關中國早期小說的起源、文體特徵以及社會意義,由於史料不足,學界尚乏共識。本研究認為,《穆天子傳》恰可以彌補這一個缺環。   作為中國史上最早出土並完整流傳至今的出土文獻,《穆天子傳》的研究涉及文獻學、古文字學、文學史與歷史地理學等多個學科,具有深遠意義。基於本人過去在西周史的研究基礎,本研究欲對《穆天子傳》作一次通盤研究。首先,從古文字學與版本學的角度,重新檢閱其文本與文字隸定的正確性。其次,以年代明確的金文為時間標尺,分析《穆天子傳》包含的多時代成份。在這些基礎之上,本研究進一步從文學史的視角,探討《穆天子傳》的文獻性質。本研究希望超越真、偽二分的傳統框架,改由史實與想像互動的文學創作過程,解釋《穆天子傳》包含真實與想像成份的原因,進而探討戰國時期史學傳統蛻變出小說的背景與歷程,以及早期小說的作者、讀者、傳佈以及閱讀方式等議題。最後,本研究將以《穆天子傳》保存的地理訊息,探討戰國時期魏國的地理知識及其西北地理想像,為早期小說真偽雜糅的文本特質提供又一例證。   本研究涉及《穆天子傳》的文本基礎以及歷史意義,期許其對文獻、歷史、地理與文學史,均作出貢獻。


年份: 2017 - 2022

項目負責人 -

雷晉豪博士

文學及文化學系

在香港看中國大陸電視劇:年輕人,身分認同與跨文化消費

Hong Kong television drama helped defined the Hong Kong identities, and its export into China has influenced generations of mainland audience. However, recent years has witnessed a “reverse flow”: many Hong Kong youngsters have taken an interest or developed a preference for television drama produced in China, such as Scarlet Heart (步步驚心), My Sunshine (何以笙簫默), and Eternal Love (三 生三世十里桃花). This phenomenon is far from self-evident because all Hong Kongers’ national identifications drop after 2008, and this tendency is most evident in the youngsters. This project, thus, addresses an important and intriguing question: why, in light of significant anti-Mainland sentiments among Hong Kong youth, are Mainland TV dramas popular with this audience?


年份: 2017 - 2019

項目負責人 -

周潞鷺博士

文學及文化學系

香港的秘書史:嘉諾撒聖心商學書院的個案

In the Hong Kong context, the secretarial profession was considered one of the first whitecollar jobs for women, and became an indispensable component of the city’s economy in the latter half of the 20th century when Hong Kong gradually evolved into an international financial center. This project will trace the history of this phenomenon by using Sacred Heart Canossian College of Commerce (SHCCC) as a case study.


年份: 2016 - 2019

項目負責人 -

姜鍾赫博士

文學及文化學系

Towards an Understanding of EFL Teacher Educators' Expertise in Hong Kong

This ECS project, drawing on a complexity theory and adopting an ethnographic case study design, seeks to explore teacher educators’ expertise at different stages of their career and how they (re)construct their expertise through different forms of professional practice (eg, teaching, research and practicum supervision) across time and contexts. The study will make a theoretical contribution to our understanding of teacher educator expertise by shedding light on its subject-specific and context-sensitive nature as well as its developmental process mediated by various influencing factors at personal, institutional and societal levels. The study can also generate implications on how to support teacher educators’ professional development at different stages of their career in higher education.


年份: 2017 - 2018

項目負責人 -

袁睿博士

英語教育學系

研究員: PI

金額: HKD416,000

鬼神.禮法與文道觀念 —以北宋文人歐陽修、 曾鞏、蘇軾為中心

本研究計劃試圖以歐陽修、曾鞏、蘇軾對「鬼神」的認識為切入點,把他們的「文道觀念」 和「祈祭禮文」、「禮法行為」相聯繫。一方面作精細的個案研究,同時希望從更宏觀的角度,分析北宋文人如何理解「禮文」、「禮法」和「道」的關係。


年份: 2016 - 2018

項目負責人 -

馮志弘博士

文學及文化學系

座標上的惠特曼: 當代美國文學的監控、民主、與自傳

In this project, I argue that through such autobiographical moments, contemporary authors are exploring the emergence of mass surveillance within democratic culture, focusing on what democracy and surveillance both enjoin: the appearances and self-representations of twenty-first century citizen-subjects.


年份: 2016 - 2018

項目負責人 -

Dr CLAPP Jeffrey Michael

文學及文化學系

為大學生學術英語寫作“把脈”:診斷性測試系統的研發及效驗

This project aims to fill this research gap by developing and validating a coherent suite of language testing instruments (DiaWrite) to diagnose Hong Kong undergraduates’ relative strengths and weaknesses in writing academic essays in English.


年份: 2016 - 2018

項目負責人 -

謝琴博士

語言學及現代語言系

研究員: PI

革命、商業主義和中國性:社會主義戲曲電影在資本主義和殖民地香港的接受和挪用

The study contends that the cultural influence of the PRC on Hong Kong was significant during the Cold War era. In addition to exploring the cultural exchange across two ideological blocs, the project also proposes a solution to the problem of reception.


年份: 2013 - 2017

項目負責人 -

許國惠博士

文學及文化學系

The Role of Consonants, Vowels and Tones in Early Lexical Acquisition (COVOTO)

The present project will be the first to address this issue, exploring infants ’ relative sensitivity to and use of consonants, vowels and tones in Cantonese and French environments.


年份: 2016 - 2019

項目負責人 -

張顯達教授

語言學及現代語言系

研究員: PI