跳至主要内容

学术研究

即将消失的声音:冷战时期香港左派电影工作者的口述历史

This oral history project aims to document the voices of Hong Kong leftist film workers who were active from 1949 to 1966 and to utilize their voices to reconstruct Cold War Hong Kong history. The principal investigator adopts the common usage of the term “leftist” during this era, defining leftist film workers as those who worked for the three major leftist film studios and the sole distributor of films made in the People’s Republic of China (PRC). Until the mid-1960s, leftists controlled a significant share of the Hong Kong film market, produced popular movies and exported their productions and PRC-made films to other Chinese communities


年份: 2017 - 2021

项目负责人 -

许国惠博士

文学及文化学系

丘世文及《号外》研究:香港七、八十年代的书写语言及身分认同

本项目以「书写语言」的视角结合丘世文和《号外》的研究,检视这位 作家和这份刊物在七、八十年代走过的道路,深入审视香港主体性建立 的过程,了解粤语作为书面语言的发展和身份认同的密切关系,重申丘 世文和《号外》开放式的本土精神。我们也将把丘世文和《号外》置于 时代的版图中,以见全球局势对香港社会和文化的影响。


年份: 2017 - 2020

项目负责人 -

李婉薇博士

文学及文化学系

满洲的国际教育:哈尔滨的波澜学校,1890s-1940s

This project analyses the Polish community of Harbin from its beginnings in the 1890s to its end in the 1940s by focusing on institutions and practices of Polish schooling in that city.


年份: 2016 - 2018

项目负责人 -

Dr DITTRICH Klaus

文学及文化学系

The identity construction experiences of novice English language teachers in Hong Kong

This project will investigate the experiences of eight English language teachers in Hong Kong during their initial years of full-time teaching.


年份: 2016 - 2018

项目负责人 -

Dr TRENT John Gilbert

英语教育学系

研究员: PI

金额: HKD221,472

译者的专业地位:东亚地区译者及翻译委托人之观点

The objective of this research project is to empirically investigate how non-literary translation practitioners and translation clients perceive translator professionalism, which is understood as not only involving knowledge and expertise but also the virtues of trustworthiness and altruism.


年份: 2016 - 2018

项目负责人 -

廖凤明博士

语言学及现代语言系

研究员: PI

“真实的痕迹:后殖民及离散文学中摄影缺席的在场”

文学和摄影经常被认为是姊妹艺术,它们的混合性可见于摄影 (Photography) 的词源,即「以光书写」。尽管不少学者已研究过两者在制作方面的共通之处,可是针对文学作品中以摄影作比喻或象征的研究却仍见贫乏。 本研究正是旨在离开一般只集中在文字和影像之关系的学研方向,并将焦点转移至影像在文学作品中以口述或叙述的存在形式和作用。部份学者曾提出影像有其文本性:它们能被阅读和阐释(Mitchell 1995, Petit 2006),但仍未有研究分析过文本中被叙述的影像


年份: 2015 - 2017

项目负责人 -

Dr BANERJEE Bidisha

文学及文化学系

陈寅恪的文学观念与实际批评研究

本计划试图从现代中国文学研究史的角度入手,全面整理陈寅恪有关文学的论述,阐明他的文学观念,并且深入辨析他的研究方法与前人的异同。


年份: 2015 - 2017

项目负责人 -

李贵生博士

文学及文化学系

日常生活的现代性:一九七零年代香港新诗

The object of this project is the poetic treatments of everyday modernity in 1970s Hong Kong, but not restricted to the four basic necessities "yishizhuxing" (衣食住行).


年份: 2015 - 2017

项目负责人 -

余君伟教授

文学及文化学系

香港南亚裔学童的叙事能力发展

This proposed study will examine the development of Cantonese narrative in ethnic minority children of Hong Kong with special focus on three sub-groups, namely, Indian, Pakistani, and Nepalese, who are commonly called South Asians.


年份: 2015 - 2017

项目负责人 -

张显达教授

语言学及现代语言系

研究员: PI

梁秉钧的文学创作与香港现代主义

This project will use the main corpus of Leung’s works as examples to demonstrate how he brings these apparently disparate but actually connected topics under the umbrella of Hong Kong modernism and helps to enrich the meaning of the literary movement.


年份: 2014 - 2017

项目负责人 -

区仲桃博士

文学及文化学系

史实与想像之间:《穆天子传》与中国早期小说的兴起

关于中国小说的起源,过去多以魏、晋为伊始,至唐代发展成熟。近年来出土文献研究提供了战国、秦汉时期,早期小说的材料。但是有关中国早期小说的起源、文体特征以及社会意义,由于史料不足,学界尚乏共识。本研究认为,《穆天子传》恰可以弥补这一个缺环。  作为中国史上最早出土并完整流传至今的出土文献,《穆天子传》的研究涉及文献学、古文字学、文学史与历史地理学等多个学科,具有深远意义。基于本人过去在西周史的研究基础,本研究欲对《穆天子传》作一次通盘研究。首先,从古文字学与版本学的角度,重新检阅其文本与文字隶定的正确性。其次,以年代明确的金文为时间标尺,分析《穆天子传》包含的多时代成份。在这些基础之上,本研究进一步从文学史的视角,探讨《穆天子传》的文献性质。本研究希望超越真、伪二分的传统框架,改由史实与想象互动的文学创作过程,解释《穆天子传》包含真实与想象成份的原因,进而探讨战国时期史学传统蜕变出小说的背景与历程,以及早期小说的作者、读者、传布以及阅读方式等议题。最后,本研究将以《穆天子传》保存的地理讯息,探讨战国时期魏国的地理知识及其西北地理想象,为早期小说真伪杂糅的文本特质提供又一例证。  本研究涉及《穆天子传》的文本基础以及历史意义,期许其对文献、历史、地理与文学史,均作出贡献


年份: 2017 - 2022

项目负责人 -

雷晋豪博士

文学及文化学系

在香港看中国大陆电视剧:年轻人,身分认同与跨文化消费

Hong Kong television drama helped defined the Hong Kong identities, and its export into China has influenced generations of mainland audience. However, recent years has witnessed a “reverse flow”: many Hong Kong youngsters have taken an interest or developed a preference for television drama produced in China, such as Scarlet Heart (步步惊心), My Sunshine (何以笙箫默), and Eternal Love (三生三世十里桃花). This phenomenon is far from self-evident because all Hong Kongers' national identifications drop after 2008, and this tendency is most evident in the youngsters. This project, thus, addresses an important and intriguing question: why, in light of significant anti-Mainland sentiments among Hong Kong youth, are Mainland TV dramas popular with this audience?


年份: 2017 - 2019

项目负责人 -

周潞鹭博士

文学及文化学系

香港的秘书史:嘉诺撒圣心商学书院的个案

In the Hong Kong context, the secretarial profession was considered one of the first whitecollar jobs for women, and became an indispensable component of the city’s economy in the latter half of the 20th century when Hong Kong gradually evolved into an international financial center. This project will trace the history of this phenomenon by using Sacred Heart Canossian College of Commerce (SHCCC) as a case study.


年份: 2016 - 2019

项目负责人 -

姜钟赫博士

文学及文化学系

Towards an Understanding of EFL Teacher Educators' Expertise in Hong Kong

This ECS project, drawing on a complexity theory and adopting an ethnographic case study design, seeks to explore teacher educators’ expertise at different stages of their career and how they (re)construct their expertise through different forms of professional practice (eg, teaching, research and practicum supervision) across time and contexts. The study will make a theoretical contribution to our understanding of teacher educator expertise by shedding light on its subject-specific and context-sensitive nature as well as its developmental process mediated by various influencing factors at personal, institutional and societal levels. The study can also generate implications on how to support teacher educators’ professional development at different stages of their career in higher education.


年份: 2017 - 2018

项目负责人 -

袁睿博士

英语教育学系

研究员: PI

金额: HKD416,000

鬼神.礼法与文道观念 —以北宋文人欧阳修、 曾巩、苏轼为中心

本研究计划试图以欧阳修、曾巩、苏轼对「鬼神」的认识为切入点,把他们的「文道观念」 和「祈祭礼文」、「礼法行为」相联繫。一方面作精细的个案研究,同时希望从更宏观的角度,分析北宋文人如何理解「礼文」、「礼法」和「道」的关係。


年份: 2016 - 2018

项目负责人 -

冯志弘博士

文学及文化学系

坐标上的惠特曼: 当代美国文学的监控、民主、与自传

In this project, I argue that through such autobiographical moments, contemporary authors are exploring the emergence of mass surveillance within democratic culture, focusing on what democracy and surveillance both enjoin: the appearances and self-representations of twenty-first century citizen-subjects.


年份: 2016 - 2018

项目负责人 -

Dr CLAPP Jeffrey Michael

文学及文化学系

为大学生学术英语写作“把脉”:诊断性测试系统的研发及效验

This project aims to fill this research gap by developing and validating a coherent suite of language testing instruments (DiaWrite) to diagnose Hong Kong undergraduates’ relative strengths and weaknesses in writing academic essays in English.


年份: 2016 - 2018

项目负责人 -

谢琴博士

语言学及现代语言系

研究员: PI

革命、商业主义和中国性:社会主义戏曲电影在资本主义和殖民地香港的接受和挪用

The study contends that the cultural influence of the PRC on Hong Kong was significant during the Cold War era. In addition to exploring the cultural exchange across two ideological blocs, the project also proposes a solution to the problem of reception.


年份: 2013 - 2017

项目负责人 -

许国惠博士

文学及文化学系

The Role of Consonants, Vowels and Tones in Early Lexical Acquisition (COVOTO)

The present project will be the first to address this issue, exploring infants ’ relative sensitivity to and use of consonants, vowels and tones in Cantonese and French environments.


年份: 2016 - 2019

项目负责人 -

张显达教授

语言学及现代语言系

研究员: PI