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Dr ZHOU, Lulu Egret

Dr ZHOU, Lulu Egret

Associate Head of Department
Assistant Professor

Scholarly Books, Monographs and Chapters

 

Research book or monograph (author)

  • 周潞鷺、董若 (2024). 《日出照舊:香港電視劇與陸港關係》. 香港: 商務印書館.

Chapter in an edited book (author)

  • Zhou, Egret Lulu (2017). Dongfang Bubai, Online Fandom, and the Gender Politics of a Legendary Queer Icon in Post-Mao China. In Maud Lavin, Ling Yang and Jing Zhao (Eds.), Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Chinese Mainland, Hong Kong, and Taiwan (111-127). Hong Kong: Hong Kong University Press.

Journal Publications

 

Dong, Ruo. & Zhou, Lulu. * (2026). Imagining Happy Ageing: Shipping Older Female Celebrities in China. European Journal of Cultural Studies (Q1 in Scopus and SSCI), 19(1) March. 

https://doi.org/10.1177/13675494261453214

 

Zhou, Lulu. (2026). Political Consumerism and Consumption Modes: The Case of Hong Kong Youths Watching Chinese Mainland Television Dramas. Critical Studies in Television: The International Journal of Television Studies (Q1 in Scopus and AHCI). Advance online publication. https://doi.org/10.1177/17496020261442083

 

Zhou, Lulu. * & Dong, Ruo. (2026). Television Adaptation of Empresses in the Palace: Rewriting Antiheroines, Female Violence, and Heterosexual Romance. Adaptation: Journal of Literature on Screen Studies (Q1 in Scopus and AHCI), 19(1) March. https://doi.org/10.1093/adaptation/apaf040

 

周潞鷺 (2022)。中國內地網絡文學,女性主義與同志平權──以曉暴的 GL(百合)小說爲例。《文學論衡》,39, 40,105-120。

 

周潞鷺 (2021)。不容抽去的「政治」:從香港電視劇《火舞黃沙》回望中國內地小說《白鹿原》。 《臺北大學中文學報》,30,321-392。

 

周潞鷺(2020):間接權力理論與《三國演義》中的權謀描寫,《文學論衡》,37,15-28。

 

周潞鷺(2020):韓流不韓:《愛的迫降》和韓國愛情劇在何種程度上展演了「韓國性」?,《戲劇與影視評論》,6,115-130。

 

周潞鷺(2019):周芷若還是趙敏?──正邪框架、父權紅利與2019版《倚天屠龍記》,《戲劇與影視評論》,6,45-55。

 

周潞鷺(2018):從親密關系研究看宮鬥劇提供的婚戀指南,《戲劇與影視評論》,6,110-120。

 

周潞鷺(2017):楊紅櫻兒童小說副文本研究,《現代中國文化與文學》(CSSCI集刊),第21期,110-123。

 

周潞鷺(2017):《歡樂頌》、左翼批評與時尚探測器──兼談國産時裝劇難以「走出去」之癥結,《戲劇與影視評論》,第17期,59-66。

 

周潞鷺(2015):“基本國情”與“高稈麥麩”?——中國電視劇,粉絲社群與腐女文化,《戲劇與影視評論》,第7期,73-80。

 

周潞鷺(2015):“中心/邊緣模式”再思考——評<邊城對話:香港.中國.邊緣.邊界>,《二十一世紀》,第147期,141-151。

 

周潞鷺(2014):超越“改編模式”:“擴散性文學”的當代特徵,《文藝理論研究》(CSSCI期刊),34(5),205-211。 More Details

 

周潞鷺(2014):“接合”、“雙重接合”與“三重接合”——文化研究關鍵概念的演進與辨析,《人文雜誌》(CSSCI期刊),第4期,53-58。

 

Zhou, Egret Lulu (2013). Displeasure, Star-Chasing and the Trans-cultural Networking Fandom. Participations: Journal of Audience and Reception Studies, 10(2), 139-167.

 

周潞鷺(2012):片場劇星制:香港電視產業明星制初探,《新聞界》(CSSCI期刊),第22期,34-38。

 

周潞鷺(2011):女觀眾眼中的女明星:凡星研究的意義及實例,《文化研究》(CSSCI集刊),第12期,108-122。

 

周潞鷺(2009):無法回避的“十四年”:試論張愛玲小說<半生緣>的影視改編,《名作欣賞》,第6期,138-141。

 

周潞鷺(2009):文本的意義空間:從八零后觀眾對<于無聲處>的接受引發的思考,《戲劇文學》,第1期,43-46。

Conference Papers

 

  • Dong, Ruo. & Zhou, Egret Lulu. * (2026, June). Imagining Happy Ageing: Shipping Older Female Celebrities in China. The 76th Annual Conference of the International Communication Association (ICA), Cape Town, South Africa.
  • Dong, Ruo. & Zhou, Egret Lulu. * (2024, July). “I Still Prefer You Portraying the Role of a Career Woman”: Celebrity, Fandom, and the Social Stigmatization of Housewives. The 5th International Celebrity Studies Conference, Amsterdam, Netherlands.
  • Zhou, Egret Lulu. (2019, July). When Hong Kong People Watch Chinese Mainland Television Dramas: The Identities Issue of Market Mentality. The International Association for Media and Communication Research (IAMCR), Madrid, Spain.
  • Zhou, Egret Lulu (2016, December). Watching Chinese Mainland Television Programs in Hong Kong: Audiences,Local Identities and Questions of "Quality Television". The 11th “Crossroads in Cultural Studies” Conference, Sydney, Australia.
  • Zhou, Egret Lulu (2016, June). Singledom as a Queering Lifestyle: Celebrity Fandom, Detraditionalized Intimacy and the ‘Leftover Women’ in Contemporary China. The 3rd International Celebrity Studies Conference, Amsterdam, Netherlands.
  • Zhou, Egret Lulu (2015, August). How to Read a Fictional Queer Icon?: Dongfang Bubai's Online Fandom in an Age of the Spreadable Media. Inter-Asia Cultural Studies Society Conference 2015, Surabaya, Indonesia.
  • Zhou, Egret Lulu (2013, May). The Floating New Identities: Trans-border Media Fans in Contemporary China. Paper presented at the 11st Annual Conference of Cultural Studies Association, Chicago, IL, USA.
  • Zhou, Egret Lulu (2012, December). From Minor Star to Major Star: Problems of Popularity. Paper presented at the International Conference "Report from the Pop Line: On the Life and Afterlife of Popular Culture", Lisbon, Portugal.