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Dr AU, Chung To

Associate Head of Department
Assistant Professor

Monographs

 

  • 區仲桃,《無歲無時:澳門現代主義詩潮導論》(Introducing Macanese Modernist Poetry),澳門(Macao):澳門特別行政區政府文化局, 2023。
  • 區仲桃,《東西之間:梁秉鈞的中間詩學論》(The Inbetweenness of East and West Matters: A Study of Leung Ping-kwan's Poetics),香港 (Hong Kong):中華書局,2020。
  • C. T. Au, The Hong Kong Modernism of Leung Ping-kwan. Lanham, MD: Lexington Books, 2020.
  • C. T. Au, The Aesthetics of Taiwanese Modernist Poetry since 1950s. Leiden, Boston: Brill, 2008.
  • 區仲桃,《論林徽因》 (On Lin Huiyin)。香港 (Hong Kong): 詩雙月刊出版社, 1998。

Journal Articles, Book Chapters, and Book Reviews

 

  • C. T. Au, “The Fundamental Tenets of Early Hong Kong Modernism”. Modernism/Modernity Print Plus, (Forthcoming).
  • C. T. Au, “Lomen” in Dictionary of Literary Biography: Chinese Poets Since 1949. Edited by Christopher Lupke and  Thomas E. Moran. Farmington Hills, MI: Gale, a Cengage Company (Forthcoming).
  • C. T. Au, “Georg Brandes and the Development of the Chinese Lyrical Tradition”. Acta Universitatis Carolinae – Philologica Vol 2023 No 1 (2023), 63-76.
  • C. T. Au,  Book Review: Fifteen Writers of Sinophone Literature: Aesthetics, Politics, and Culture. Asia Culture No 46 (2022), 104-107.
  • 區仲桃,〈劉以鬯的「三毫子小說」和現代主義的關係〉 (The Relationship Between Liu Yichang’s “three-cents novel” and Modernism), 《落葉飛花——香港三毫子小說研究》 (A Study of Hong Kong’s “three-cents novel”), 葉倬瑋 、 陳智德 、賴宇曼 及李卓賢編,香港 (Hong Kong) : 天地圖書出版, 2022 (141-151).
  • 區仲桃,〈澳門現代主義詩中的「詩史」傳統〉(“The Shishi Tradition of Macanese Modernist Poetry”) 《中國現代文學》Chinese Modern Literature, 41, 67-91. Taiwan:June 2022.
  • C. T. Au, Review Article: “Out of the Ashes: On Hong Kong Literature Studies 2010-2020”. Archiv Orientální 89, no. 2 (2021): 429–442. DOI: 10.47979/aror.j.89.2.429-442.
  • 區仲桃,〈香港抒情傳統論述的形態:以〈客途秋恨〉在《胭脂扣》及〈永盛街興衰史〉的轉化為例〉 (“Essential Aspects of Hong Kong Lyrical Discourse: A Study of the Transformation of ‘Sorrow on an Autumn Trip’ into Rouge and ‘The Rise and Fall of Wing Shing Street’”) 《清華中文學報》 Tsing Hua Journal of Chinese Literature, 26, 259-301. Taiwan:December  2021.
  • C. T. Au, “Xia Yu” in Dictionary of Literary Biography: Chinese Poets Since 1949. Edited by Christopher Lupke and  Thomas E. Moran. Farmington Hills, MI: Gale, a Cengage Company, 2021 (195-201).
  •  C. T. Au, Book Review: Chinese Poetic Modernisms. Rocky Mountain Review of Language and Literature (Fall issue, 2020), 238-241.
  •  區仲桃,〈民國女子:張愛玲對理性的接受情況〉(Women in the Republic of China Era: A Study of Eileen Chang’s Reception of Rationality).《 民國文學與文化研究集刊》, 6, 258-271. Taipei:  December 2019.
  •  區仲桃,〈劉以鬯的現代主義〉(The Modernism of Liu Yichang).《名作欣賞》(Masterpiece), 1, 58-63. Shanxi:  2019.
  • 區仲桃,〈想像「民國文學」: 馬朗在《文藝新潮》中的「民國文學」想像〉 (The Imaginative Literature of Republican Period of China in Ma Lang’s Wenyi Xinchao)。 《民國文學與文化研究集刊》, 3, 94-119. Taipei: 2018。
  • 區仲桃,〈也斯旅遊文學中的多元角度〉 ( “Multiple perspectives on Yasi's travel writing”)。《中外文學》 Chung Wai Literary Quarterly, 46 (1), 45-75. Taipei: 2017。
  • C. T. Au, “Reading Colonial Dis-ease/Disease in Hong Kong Modernist Fiction”. New Directions in Literature and Medicine Studies. Edited by Stephanie M. Hilger. London and New York: Palgrave Macmillan, 2017 (267-280).
  •  區仲桃,〈詩經練習: 試論梁秉鈞對香港現代主義詩歌抒情性的繼承〉 ( “Shijing Lianxi: A Study of Leung Ping-kwan’s Reception of Lyricism in Hong Kong Modernist Poetry” )。《淡江中文學報》,32,313-330。Taipei: 2015。
  • 區仲桃,〈書評: 陳國球 《抒情中國論》〉 ( Book Review: K. K. Leonard Chan’s Discourses on Lyrical China)。 《漢學研究》, 33 (1), 327-333。 Taipei: 2015。
  • 區仲桃,〈王蒙小說中的意識流〉( “Stream of Consciousness in Wang Meng’s Novel”)。朱壽桐主編。《論王蒙的文學存在》。 南京 (Nanjing): 南京大學出版社, 2015 (88-103)。
  • 區仲桃,〈殖民城市的記憶與遺忘: 論香港現代主義詩人梁秉鈞的詩歌特色〉( “The Poetics of Hong Kong Modernist Poet Leung Ping-kwan”)。 王德威、陳平原和陳國球主編。 《香港:都市想像與文化記憶》。北京 (Beijing):北京大學出版社, 2015 (194-206)。
  • C. T. Au. Book Review: Liu Yichang and Hong Kong Modernism. Modern Chinese Literature and Culture, online. Ohio: August 2014.
  • C. T. Au. “Contesting Space in Semi-colonial Shanghai: The Relationship between Shanghai's Modernist Poetry and the City”. Asian Studies, I(XVII), 107-123. Ljubljana: 2013.
  • C. T. Au "Colonized Modernism: A Study of the Characteristics of Dai Wangshu's Modernist Poetry". Korea Journal of Chinese Language and Literature, 1, 315-331. Korea: 2011.
  • 區仲桃,〈張冠李戴:論「中國勃朗寧夫婦」羅門、蓉子的詩歌特色〉 ( “The Brownings of Modern Chinese Poetry: The poetics of Lomen and Rongzi”) 。《韓中言語文化研究》, 25, 511-529。 Korea:2011。
  • 區仲桃,〈論東西文化發展的時差: 以羅門“燈屋”的美學思想為例〉 ( “A Comparative Study of East-West Reception of Modernisms: On the Aesthetics of Lomen’s ‘House of Light’”), 單周堯主編,《東西方研究》。 上海 (Shanghai): 上海古籍出版社, 2011 (519-528)。
  • 區仲桃,〈記憶的詩學: 論臺灣現代主義詩歌中的 “虛構記憶” 〉 ( “The Poetics of Memory: The False Memory in Taiwanese Modernist Poetry” ),樊善標、危令敦、黃念欣, 《墨痕深處—文學, 歷史, 記憶論集》。香港 (Hong Kong):牛津大學出版社,2008  (538-555)。