著作

編著書籍

梁寶華(2019):《粵曲梆黃藝術:方文正作品彙編》,香港,天地圖書。

大鬧廣昌隆之客店訴冤
孔明揮淚斬馬謖
救風麈之花迷蝶醉
武則天與王皇后
白蛇傳之水漫金山
百萬軍中藏阿斗
碎鸞輿
端陽驚變
群英會之小宴
聲聲慢
苦鳳離鸞
西樓錯夢
赤桑鎮
追魚之仙凡配

阮兆輝 (著),梁寶華(編)(2017):《生生不息薪火傳:粵劇生行基礎知識》,香港,天地圖書。

梁寶華,梁信慕 (編)(2012):《粵劇藝術之創意:表演、劇本、音樂、傳承》,香港,聯合國教科文組織本土文化及創意教育研究觀測所。

書章

梁寶華(2018):從創造理論的視角看薛覺先在粵劇的創造和發展:回顧與前瞻,輯於陳守仁、廖妙薇編,南薛北梅國際學術研討會論文集,(98-109),香港,香港粵劇學者協會、中國文化院、東方藝術中心、北京梅蘭芳紀念館、懿津出版企劃公司。

Leung, B. W. (2018). Coda: Current trends and future development in transmitting traditional music. In B. W. Leung (Ed.), Traditional Musics in the Modern World: Transmission, evolution, and challenges (pp. 261-272). Dordrecht: Springer.

Leung, B. W., Mok, M. M. C., Kuo, B.-C., Liu, Z.-Y., Lam, S. M., Ng, C. W. T. & Cheng, L. (in press). An assessment of learning Cantonese opera movement in Hong Kong: Application of the Computerised Kinetic Chain Assessment and Learning System. In K. J. Kennedy & J. C.-K. Lee (Eds.), The Routledge Handbook on Schools and Schooling in Asia (pp. 220-233). New York: Routledge.

Leung, B. W. (2018). Teaching Cantonese opera in Hong Kong schools: Interaction and collaboration between music teachers and artists. In C. Christophersen, & K. Ailbhe (Eds.), Musician-teacher collaboration: Altering the chord (pp.85-95). New York: Routledge.

Leung, B. W. (2015). Transmission of Cantonese opera in Hong Kong: Issues of preserving authenticity in teaching traditional art form. In S. Schonmann (Ed.), International yearbook for research in arts education: Wisdom of the many: Key issues in arts education (Vol. 3, pp. 99-103). Munster, Germany: Waxmann.

梁寶華(2014):香港粵劇的承傳模式倡議:從師徒制和社區訓練到學院制,輯於謝苑玫編,《第四屆兩岸四地學校音樂教育論壇論文集》(頁 317-331),台南,國立台南大學。

Leung, B. W. (2013). Transmission and Transformation of Cantonese opera in Hong Kong: From School Education to Professional Training. In S. Leong, & B. W. Leung (Eds.), Creative arts in education and culture: Perspectives from Greater China (pp. 145-156). Dordrecht, Netherlands: Springer.

梁寶華(2013):香港中小學粵劇教學研究:教師和藝人之協作和互動,輯於黃兆漢 (主編),《驚艷一百年:2013紀念任劍輝女士百年誕辰粵劇藝術國際研討會論文集》(頁770-780),香港,中華書局。

Leung, B. W., & Leung, E. C. K. (2012). Teacher-artist partnership in teaching Cantonese opera in Hong Kong schools: Student. In M. Moore (Ed.), Critical essays in music education (pp. 281-306). Surrey, UK: Ashgate.

期刊論文

Leung, B. W. (2019). Conception of creativity as personal style of Cantonese opera artists in Hong Kong: A socio-cultural perspective. Journal of Aesthetic and Creative Education, 1(1). http://orcid.org/0000-0003-2361-047X

Yu, Z., & Leung, B. W. (2019). Music teachers and their implementation of the new Music Curriculum Standards in China. International Journal of Music Education, Online First, 1-20.

Leung, B. W. (in press). A proposed model of transmission of Cantonese opera for Hong Kong higher education: From oral tradition. Arts and Humanities in Higher Education, In press, 1-23.

Leung, B. W. (2018). Creativity in Cantonese Operatic singing: Analysis of excerpts from Hu Bu Gui by three artists. International Journal of Community Music, 11(3), 265-288.

Leung, B.W. (2015). Transmission of Cantonese opera in the conservatory tradition: Two case studies in South China and Hong Kong. Music Education Research, 17(4), 480-498. https://www.tandfonline.com/doi/abs/10.1080/14613808.2014.986081

梁寶華(2015):傳統音樂在學校的傳承:國際議題和挑戰,《教師教育論壇》,28(5),8-12。http://big5.oversea.cnki.net/kcms/detail/detail.aspx?dbCode=cjfd&QueryID=97&CurRec=3&filename=GHXZ201505003&dbname=CJFDLAST2015

Leung, B. W. (2014). Utopia in arts education: The transmission of Cantonese opera with oral tradition in Hong Kong. Pedagogy, Culture & Society, 23(1), 133-152. DOI: 10.1080/14681366.2014.922604 https://www.tandfonline.com/doi/abs/10.1080/14681366.2014.922604

Leung, B. W. (2014). Teachers’ transformation as learning: Teaching Cantonese opera in Hong Kong schools with a teacher-artist partnership. International Journal of Music Education, 32(1), 119-131. http://journals.sagepub.com/doi/10.1177/0255761413491174

Tang, C. L. & Leung, B. W. (2012). Teaching Cantonese opera in a primary school: Enhancing learning effectiveness with the Variation Theory. International Journal for Lesson and Learning Studies, 1(3), 261-275. http://www.emeraldinsight.com/doi/full/10.1108/20468251211256456

Leung, B.W, & Leung, E.C.K. (2010). Teacher-Artist Partnership in Teaching Cantonese Opera in Hong Kong Schools: Student Transformation. International Journal of Education & the Arts, 11(5), 1-26. [on-line] website: http://www.ijea.org/v11n5/

會議論文

莫慕貞、林思明、劉志勇、梁寶華、郭伯臣、陶潔瑩和郭嘉榮 (2016):粵劇生行身段要訣:電腦化自動評估與學習系統,輯於吳穎沺、張明治、李葆萍、陳德懷、江紹祥、林豪鏘等主編《第 20屆全球華人計算機教育應用大會:大數據時代的學與教:大會論文集》,(頁904-907),香港,香港教育學院。http://gccce2016.ied.edu.hk/proceedings/MainConferenceIndividualPapers/C8-26.pdf

研討會論文

梁寶華(2017,12):《從創造理論看薛覺先粵劇的創造和發展:回顧與前瞻》,南薛北梅國際學術研討會,香港。

Cheng, L., & Leung, B. W. (2017, July). Engagement in the appreciation of Cantonese opera through virtual reality (VR). Paper presented at the 11th Asia Pacific Symposium on Music Education Research, Melaka, Malaysia.

Leung, B.W., Mok, M. M. C., Kuo, B.-C., Liu, Z. Y., Lam, S. M., Ng. C. W., & Choi, T. W. (2017, July). Validation of The Kinetic Chain Assessment and Learning Computerised System for Cantonese Opera Movement. Asia-Pacific Symposium for Music Education Research 2017, Malaysia.

Mok, M. M. C., Leung, B. W., Kuo, B.-C., Liu, Z. Y., Lam, S. M., Ng. C. W., & Choi, T. W. (2017, May). Kinetic Chain Assessment and Learning Computerized System for Cantonese opera: The development, validation and application. 2017 IEEE International Conference on Applied System Innovation, Sapporo, Japan.

Leung, B.W. (2016, July). Conception of creativity as personal style in Hong Kong Cantonese opera. Paper presented at The 32nd World Conference of the International Society for Music Education, The Glasgow Royal Concert Hall, Glasgow, UK.

Mok, M. M. C., Lam, S. M., Liu, Z. Y., Leung, B. W., Kuo, B. C., Tao, K. Y., & Kwok, K. W. (2016, May). Performing Arts of the “SANG" role in Cantonese Opera: Computerised Kinetic Chain Assessment and Learning System in Cantonese Opera Movement. 20th Global Chinese Conference on Computers in Education, Hong Kong.

梁寶華(2014,4):《香港粵劇的承傳模式倡議:從師徒制和社區訓練到學院制》,第四屆兩岸四地學校音樂教育論壇:變動時代學校音樂教育的挑戰與對策,臺南。

梁寶華(2013,1):《香港中小學粵劇教學研究:教師與藝人之協作和互動》,2013紀念任劍輝女士百年誕辰粵劇藝術國際研討會,香港。

Leung, B. W. (2012, December). Collaborative project on teaching Cantonese opera in primary and secondary schools. Sharing sessions conducted at the knowledge transfer (KT) sharing sessions, The Hong Kong Institute of Education, China.

Leung, B. W. (2012, November). Utopia in Arts Education: The transmission of Cantonese opera with Chinese Oral. World Alliance of Arts Education (WAAE) Summit 2012, Roveniemi, Norway.

Leung, B. W. (2012, July). Oral tradition and conservatory tradition in transmitting Cantonese opera. The 30th International Society for Music Education World Conference, Thessaloniki, Greece.

Leung, B. W. (2012, May). A study of the Chinese oral and the Western conservatory tradition in Hong Kong. Paper presented at The 2012 Eight International Congress of Qualitative Inquiry: Qualitative Inquiry as Global Endeavor, The University of Illinois, Champaign, USA.

Leung, B. W. (2012, May). Conservatory Tradition and Oral Tradition in transmitting the Cantonese opera. Paper presented at the 8th International Congress of Qualitative Inquiry, Champaign, USA.

Leung, B. W. (2011, April). Misconception of teaching ethnic music: Employing a teacher-artists partnership approach in teaching. The 7th International Conference for Research in Music Education, Exeter, UK.

Leung, B. W. (2010, July). Teacher-artist partnership in teaching Cantonese opera in Hong Kong schools: Teacher transformation. Proceedings of the 23rd International Seminar on Research in Music Education, Changchun, China.

Leung, B. W., & Leung, C. K. E. (2009, June). Teacher-artist partnership in teaching Cantonese opera in Hong Kong schools: Student transformation. Paper presented at the 7th Asia-Pacific Symposium on Music Education Research of International Society for Music Education Asia-Pacific Regional Conference 2009, Shanghai, China.